Professional rivalry, two up and coming magicians, each determined to present the most striking spectacle, imaginable, yet one is careless, and the other's cherished love interest passes, things taking a vicious turn in the aftermath, as they both refuse to back down.
One believes in dangerous risk taking while the other is more reserved, although the intensity of their grim competition provokes grand transformations forthcoming.
One visits the coveted Tesla (David Bowie) at his residence in the wilds of Colorado, and requests the creation of a machine that can transport matter from one location to another.
He believes such a sensation has already been acquired by his adversary, and spends a fortune to flagrantly duel, his nemesis not in possession of exhaustive funds, yet more innovative counterintuitively speaking.
I've never understood compulsive obsession and the personal desire to win at all costs. Sportspersonship is too valuable a concept to be obscured by personal ambition.
It's preferable to lose having played by the rules than to succeed through nefarious means, as long as you give your best effort and suppress destructive envious tendencies.
I pay too much attention to sports to proceed otherwise, not that I'm by any means a great athlete, but so many great athletes compete year after year without ever winning anything.
This doesn't prevent them from competing or trying to win one more time, they're great role models for the active spirit who never grows weary of enriching fair play.
Alfred Borden (Christian Bale) and Robert Angier (Hugh Jackman) take things to levels I can't comprehend, to resort to sabotage or deliberate vengeance insults the art they're skilfully crafting.
I thought the arts would be much more friendly in my youth since so many of the artistic people I knew were often kind, the realities of the art world somewhat disconcerting as people critically jockey for position.
I suppose there are fewer opportunities to succeed as an artist than there are for sporty peeps, and the lack of engaging opportunity drives ambition to psychotic levels.
But it seems better to chill on the fringe than embrace destructive psychologies.
If you want the world to be a better place and you adopt ruthless means how will anything ever change?
Beyond what's written.
More respect for aging artists in the Anglo-American sphere may lead to less intense conflict, I'm by no means an expert on French culture, but it's clear they hold the arts in much higher esteem.
In general, not in relation to me, French culture seems to cultivate a much more level playing field for the arts and sports, which could explain why they're so successful at both, why they keep generating such incredible outputs.
The Prestige is an excellent film that showcases unsettling realities.
There's so little to soulfully gain.
Through bland underhanded corruption.
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