Cat Ballou

A promising recent graduate heads home to teach school, instructed to read the classics, even if she prefers trendy westerns.

Prone to seek justice yet mischievously enthused, she accidentally aids two ne'er-do-wells in their pursuit of reckless freedom.

Back home on the range her kind-hearted father (John Marley as Frankie Ballou) has enraged his covetous neighbours, who have corruptly engaged a cruel hired gun to dispose of his innate virtue.

She immediately responds in kind after having learned of the disgraceful deception, and hires a renowned gunperson of her own who turns out to lack reliability.

Soon woe melancholically descends with no recourse to lauded panaceas, and her gang of unorthodox misfits has relocated to a forlorn corral.

Yet Cat Ballou (Jane Fonda) is well versed in storied ethically clad adventurous pastimes, and refuses to let impregnability coldly prevent her from reacting non-traditionally.

Her newfound friends see sudden success after embracing strategically sound comeuppance, sincerely kerfuffling entrenched trajectories which presumed to cajole discordance. 

It's blunt and brandished bounteous barm proceeding in sultry sing song, the underprivileged thoughtlessly dismissed as they reimagine communal identities. 

Integrity harnesses spirit and exuberantly coaxes conundrums, which bewilder through sacrificed innocence impenitently reified. 

It's light of heart and rather merry as it confidently elucidates, upholding honest feminine strength through tribulation and testy temperance.

With insightful thoughts about marriage or relationships or plain old courtship or perhaps a fling, Cat deconstructs hardboiled gender bias yet still finds herself falling in love.

The musical accompaniment playfully enlivens crafty clemency cascading, direct yet quaintly coated in enchanted new age charm.

The traditions of the western see lay radical reversal, those oft dismissed their cares remiss enlightened brave dispersals.

Perhaps an oddball comedy like Cat Ballou would make more of an impact than serious drama, as it reaches a wider audience less immutably disposed.

A lot of people prefer absurdity since it more accurately reflects prim daily life, wherein which the application of reasonability sometimes leads to bumptious bedlam.

The immersion of absurdity in the arts anyways, not politics, reliable political leadership is preferable to instinctual madness.

Political leaders who don't toy with global tensions.

Because they respect their power and influence.