First Knight

Back to Camelot, prosperous legendary city of age old daring and just reasonability, led by the whimsically enlightened boisterous King Arthur, who fell in love with kind Guinevere, and befriended one Sir Lancelot. 

This time round insurrection plagues the land as a rogue knight seeks absolute power, his minions bellicosely spreading discontent, as everyday peeps simply try to get by.

He believes Arthur and his knights are too tolerant since they've wisely embraced fair play, and prefer to see people peacefully cohabitating to baleful pernicious destructive autocracy.

Arthur's brotherhood freely expresses ideas round the table in open discussion, and although he has the final say, he's open to counsel and fresh perspectives. 

But his convictions are sternly tested after he earnestly rewards young Lancelot, for risking his life to save noble Guinevere, who had fallen into the rogue knight's clutches. 

Lancelot wants Guinevere to leave with him and build a new life far away together, and she can't deny her feelings, after he's boldly come to her rescue.

Arthur catches them together and sees a look upon Guinevere's face which his prowess has never inspired, the genuine gaze of devout passion, it drives him to bitter madness. 

He charges them with treason and lavishly decrees to hold their trial in the public eye, and hundreds gather to keenly watch the unexpected unprecedented spectacle.

But the trial bears the familiar stench of unsympathetic destitute absolutism, for he could have been more understanding had he embraced sublime forgiveness.

His descent into absolutism paves the way for the rogue knight's return.

And he cleverly almost takes Camelot.

Before Arthur makes the ultimate sacrifice. 

Lancelot still avenges him and might does not assert tyrannical rights, the lighthearted unassuming romantic emerging at the forefront of the ethical imbroglio. 

Thus age gives way to perspicacious youth and a new day dawns for the compassionate kingdom, but how the knights regrouped in the aftermath unfortunately remains unknown.

At least further data isn't provided within Jerry Zucker's amorous First Knight.

Perhaps love and romance in fact endured.

Not such a bad thing when they govern at play. 

Free State of Jones

Raw recruits hopelessly unprepared for military service, the people starving to support a lost cause, reprisals and punishments suffocating the countryside, whispers of emancipation enflaming formerly despondent fuels, a small racially mixed group of men and women set out to constructively challenge confederate rule, imagining a state where everyone profits from the fruits of their labours, during the American Civil War, in Gary Ross's Free State of Jones.

Odd to see a film that investigates militaristic insurrection as opposed to strict cohesive unified martial ubiquity, concerned citizens attempting to establish concrete constitutional reforms, exercising intellectual abstractions, with communal dignity, and auspicious flumes.

Eventually declaring their own fundamental principles.

Their group itself still fraught with internal discord.

The film has a progressive message inasmuch as it promotes racially diverse communities working together to flourish and succeed.

It was obviously shot in haste though.

Matthew McConaughey (Newton Knight) eclipses the other participants and delivers a great performance (bit overwrought at times), excelling in the lead as pivotal protagonist with the most critical speeches, but since no one else really stands out, Free State of Jones's formal aspects are at odds with its content's focus on diversity.

There can be more than one.

Not enough takes blended with sloppy editing that covers a lot of time and space without generating any visceral momentum.

There is a valuable subplot however that takes place in a not too distant future where one of Knight's descendants is on trial for marrying a caucasian woman even though he may have African blood, mixed race marriages being ridiculously illegal at the time.

By jumping back and forth between past and present, Free State of Jones coaxes its audience into critically examining contemporary racial injustices, which unfortunately continue to abound with incendiary abusive flagrancy.

A clever move, manifesting the present while remaining situated in the past, backgammon.

It's sad to think that the American Civil War ended 151 years ago and the same bigoted preconceptions still disharmoniously complicate the daily lives of so many people.

Do you remember when you were really young and there weren't black, white, Asian, Arab, Native . . . . . peoples, there were just people, living in communities together?

Those were great times.

Chill you know.

Peaceful.