Rare Birds

Remote resonance off-the-beaten-track entwined recalcitrance compact equation, bucolic bombardment routine resilience insistent surging featherwing fuse. 

Demonstrative dell innocuous isthmus impending storm volatile stream, heritage hospice floral jitterbug solemn serenity energon cube. 

Multifarious mechanics saccharine shake exuberant scooping canucklehead cream, bolted expression Zealous ZaZounds barbershop moonshine phosphorescent glow. 

Bookworm synecdoche literate gong legible slide grandstanding gala, iota cordial remonstrance nettle neurasthenic newberg mettlemorn girth.

Glacial bubbly effervestibulletin jingle-jang-chime quenching massage, wavelength demeanour frequency fasting jocalculus warm-up behemoth distillate.

Kalamahula-hoot nostrombone cowl clavichord capsule admixture sum, staircase sidewinding macabre matrices administration tangelo templar. 

Quilted patchwerewithall intricate industry steaming illustration simmering stew, Richmond Hill candles koala Annex Etobicoke junction Danforth Danube.

Greyskull cackle cauldron wager Benedict ramble Hollandaise hue, castigatewayward vitriol volume letterhead lathe Chamberlin cheek. 

Chillackadaisical Daedalus liberty byzantine barricade conundrum flout, tetristwatch momen Great Northern Lights sandblasted seedlings campy texture. 

Galinvictus glide soaring discursives furtive velocity clandestine curve, billoaded bases sonorous swing circumference synergies hey hey Blue Jays!

Frosty this morning.

Still wearing my coat.

Had multiple warm drinks.

The excitement: Go Jays Go!

*A Canadian film favourite.  

Tampopo

A daring trucker, hungry after a long day on the road (Tsutomu Yamazaki as Gorô), stops in at a local ramen shop, where the other customers are somewhat hostile.

He refuses to observe their bad behaviour and soon an unfair fight begins, Gorô's courage reacting with bellicose vigour, but there are are too many determined opponents. 

But the owner takes pity on him afterwards and they soon find themselves amicably disposed, Gorô noting that her restaurant lacks appeal (Nobuko Miyamoto as Tampopo), and deciding to chill 'til he can help improve things.

They begin rigorously researching the competition to incisively scrutinize strengths and weaknesses, Gorô proving to be a good teacher, thoughtful Tampopo eager to learn.

After having focused upon various aspects of the divergent ways different people serve ramen, it's time to concentrate on the dish itself, to make something coveted, lauded, irresistible.

Fresh insights are eagerly sought and soon they've forged a constructively critical retinue, devoutly seeking sumptuous irrefutability, with avid pluck and gastronomic reserve.

Meanwhile, the world at large engages in random culinary acts.

Uncanny scenes adding cosmopolitan flavour. 

To Tampopo's free-flowing itinerant broth.

Effervescent peculiar poignancy rambunctiously distilling airtight emancipation, Tampopo proceeds according to guidelines unaffiliated with external gravity.

A world particular and personalized caught up with jocose mesmerizing self-indulgence, like so many of my favourite artistic works, it's structurally chaotic, yet imaginatively sound.

Praise for unorthodox individuals having forged convivial eclectives, well-versed in variable revelations, beyond financial or economic rubrics. 

Praise for concerned acts of kindness delicately encouraging slow and steady development, conflict erupting through holistic expansion, thereafter appeased through tact and forgiveness.

Praise for proceeding according to mood whether it be compassionate or volatile, praise for non-sequential spicy abbreviations piquantly presented in poetic overflow.

I thought the killing of a live animal went way too far and I was thoroughly disturbed afterwards.

Otherwise a unique unpredictable tale.

Abounding with full-on whatever.

*With Ken Watanabe.