Their first meeting is adorable. They are living in San Francisco. One of them finds a job in small-town Michigan. They move. The other's career is resultantly set back but this is sacrificially taken in stride. Attempts to acclimatize to small-town life are heroically made but an undeniable despondency cannot be persuasively concealed.
A break-up is imminent, the couple goes their separate ways, and new partners are found. But a kernel of love remains which new arrangements cannot disintegrate and it's possible that the two lovers will restructure their efficient and profitable means of production. With the future and age pressing in and standards of compatibility becoming less and less idealistic, a decision must be definitively made.
According to what I know about romantic comedies anyways.
The Five-Year Engagement has some funny scenes and introduces a broad range of distracting characters. Bill's (Chris Parnell) sweaters and Vaneetha's (Mindy Kaling) toast stand out and I enjoyed listening to the ideas of both Ming (Randall Park) and Tarquin (Brian Posehn).
Individuals working in intellectual and culinary markets are juxtaposed and members from both groups are made to appear ridiculously profound.
Rather than consistently sentimentalizing the romantic love that often results in marriage, the film introduces argumentative points of combative relational diversification during the engagement, thereby instructively applying quasi-conjugal conflicts to prenuptial amicable operations while installing a degree of collaborative critical conditionals as well.
Sweet but trashy, mildly melodramatic, and pretentiously inclusive, The Five-Year Engagement offered more insightful observations and humorous interjections than I was expecting (after the film shifts to Michigan), which helped me get over the snickering directed in my direction as I entered the theatre on my own.
And if donuts have yet to be eaten, why purchase new ones? That's wasteful.
Rather than consistently sentimentalizing the romantic love that often results in marriage, the film introduces argumentative points of combative relational diversification during the engagement, thereby instructively applying quasi-conjugal conflicts to prenuptial amicable operations while installing a degree of collaborative critical conditionals as well.
Sweet but trashy, mildly melodramatic, and pretentiously inclusive, The Five-Year Engagement offered more insightful observations and humorous interjections than I was expecting (after the film shifts to Michigan), which helped me get over the snickering directed in my direction as I entered the theatre on my own.
And if donuts have yet to be eaten, why purchase new ones? That's wasteful.
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