Left to fend for herself after her family takes off for the bush, Lindsay Labine (Ève-Marie Martin) shyly chills with her closest friend.
Things are quite lax in their small Northern town, since most of the residents are in fact gone.
A certain carefree yet hesitant innocent composure qualifies Lindsay's investigations, as if she's upset yet sure and steady, and finds herself generally unsupervised.
Free to explore what she will.
The people who have stuck around forge an eccentric free form instinctually unorthodox eclective of sorts, sincerely expressing themselves beyond the cold master narrative.
Unrestrained movements and cheeky proclamations intermingle with articulate considerations, as if the particular is joyously asserting itself unobserved, and it's not just the adherents of discipline and punishment who claim to respect alternative lifestyles decompressing, they're gone too, in fact it's more like the people actually living alternative lifestyles are no longer weighed down by generic prescriptions, at all, as if gasoline's been replaced with bird song, or the poets gracefully control The Republic.
Temperate freelance watershed inkling.
Like everyone's self-employed.
Or things are way more raccoon than cat or dog.
Labine's town's suddenly like an unscripted curious jocose home on the range, with a library for city hall, its stories blooming with vibrant life.
Traditional outlets for order and authority no longer unconsciously coordinate, as random ideas seek novel justifications.
A peaceful sense of lighthearted relaxation begins to permeate concrete conditionals, as if experimentation can creatively sojourn, regardless of old school superstition.
Lindsay's somewhat shy but actively takes part.
It's quite sad when she's tricked in the beginning, but she's resilient, she bounces back without hesitation.
Look for the moment when she overcomes her shyness and joins in with the revelry around the campfire.
You'll see a beautiful, timid, elfin spirit, who has trouble fitting in, wondrously expressing herself.
The moment's rich with belonging.
Like electric jade.
Compositionally ground with hug power.
Cool film.
*The situation in Mad Dog Labine is quite different from that which may arise from a flood. In the case of a flood, if authorities do suggest you leave your home, it's probably in your best interests to do so, since they likely know what they're talking about. And floods can be very dangerous.
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