Showing posts with label Wonder. Show all posts
Showing posts with label Wonder. Show all posts

Tuesday, February 11, 2025

Here

Bas Devos's Here brought back fond memories while also nurturing dreams for the future, Stefan's modest immigration experience humbly encouraging unorthodox travel.

The film follows a laidback worker who has spent some time living in Belgium, as he finishes his last shift and solemnly prepares for a month long vacation back in his homeland. 

As he walks about town casually observing things I was pleasantly reminded of life in the city, and the manifold options routinely available as you variably concoct thematic experiences. 

When he enters a restaurant for instance to get out of the pouring rain, and finds himself suddenly conversing in French with someone who speaks the language fluently.

As he tries his best to understand he knows he has to respond with something, and adamantly hopes it directly applies to the specific topic under examination.

But he gets it wrong he's misunderstood the dialogue halts it's insufficient, but he doesn't take it as a sign to stop speaking he continues onwards with verbal gusto.

By doing so, he actively demonstrates there are lots of words he can turn into sentences, and hopes his curious interlocutor instinctually respects that and keeps on talking.

In the best case scenario, they understand you're learning and that your positive attitude demonstrates you want to be there. 

If they continue the conversation using a less intricate in/formal vocabulary, it's a great opportunity for learning that can lead to chillaxed friendship (miss you).

I understood the old "fridge-clean-out" as well when you throw most of what you've got into a pot, and slowly cook it with spices and liquids until you've created something unique and edible. 

By doing so, you have several meals and fortunately nothing goes to waste, and you can share it with your friends as well as modest Stefan does in the movie.

Nature also figures prominently as he walks from place to place since his car's in the shop, the extant forest he freely travels through bringing on carefree thoughts and nascent wonder.

It's so important as cities expand and depressing sprawl creates a concrete jungle, to remember to plan intermittent green spaces throughout the urban landscape like they do in Québec.

Nice places for lunch or to spot local wildlife or even make a career studying mosses or lichen.

I'm usually careful not to disturb moss in the forest.

Although it does make a comfy place to lie down! 

*Criterion keyword: gossamer.

Tuesday, January 21, 2025

The Elephant Man

A gentle soul, curious and thoughtful, is habitually tormented by another, who obscenely profits from his misery and spends next to nothing on his care or comfort.

The individual in question suffers from severe deformities which make him appear extraordinary, people wishing to marvel at his stunning difference and willing to pay for the chance to do so.

No one asks him for his opinion regarding his tragic state of affairs, he isn't consulted his steadfast approval is disregarded, ignored, disdained.

No one talks to him either in fact he's left voiceless and caged and isolated, confronting violence should he humbly protest his scathing chains and caustic fetters.

Fortunately, a kind and sympathetic promising young doctor learns of his struggles, and goes about freeing him from the carnival while searching for a permanent place of residence.

Mr. Merrick is then given the opportunity to calmly express himself and converse, his discussions and observations inquisitively demonstrating tender caring playful cognizance. 

For the first time in his life he's treated with respect and he wholesomely responds with innocent wonder.

As those seeking to exploit him discover his whereabouts.

And set about wildly profiteering. 

A young gifted director with one film to his credit was lovingly tasked with crafting The Elephant Man, David Lynch responding with incisive imagination which still resonates this postmodern day.

The just and the wicked frequently colliding in his chaotic campy down-home daring dramas, we find scenes scenarios that stretch throughout his work in their sophomore distillations in this film.

Is Dr. Frederick Treves who seeks to take away John Merrick's pain and let him live in mindful society, not unlike Special Agent Dale Cooper who genuinely cares for the residents of Twin Peaks?

Is the wretched slave-driver Bytes who makes his living spreading death and decay, harbingers of Frank Booth and Dick Laurent the Baron Harkonnen or the Killer Bob?

The dreamlike fascination with surreal storytelling far beyond what the scene depicts, amorphously anchors our innate curiosity as this early outing creatively transmits.

A good place to start if seeking to learn much much more about David Lynch the filmmaker, while sincerely taking requisite note that the path you're on will get much rockier.

At home with artistically embracing noble and unsettling offbeat emotions.

He spent his life contemplating holistic humanism.

In a bona fide theatre of debutant dreams. 

Tuesday, September 1, 2020

Wonder

A child who looks different anxiously prepares for the fifth grade, having been homeschooled up to this point by his mom (Julia Roberts), having made little contact with the outside world (Jacob Tremblay as Auggie), now ready to thoughtfully engage.

His mother and father (Owen Wilson) are more nervous than he is, as he courageously departs, sincerely worried about their son, whom they've diligently help to prepare.

His sister (Izabela Vidovic as Via) provides prudent counsel and lays down the skeletal score, a brief barebones adolescent treatise, on inherent enervating distress.

But he's a gamer, he doesn't back down, although he's faced with acerbic prejudice, he hangs in there and academically excels, making some chill real friends along the way.

Wonder isn't just focused on him though, the trials of several young people are explored, their struggles compassionately and intricately blended, as they deal with scholastic realities.

The result's a well-rounded take offering diverse perspectives on the challenges youth face, while trying to carve out an identity, and freely fit in at school.

Parents too, the shocks of child rearing, the difficulties of trying to let go, to be there whenever and wherever, without smothering the affable flow.

It's great to see such honest loving parents who abound with enriching guidance, who don't shy away from the hardboiled vortex, but don't dwell or fixate on it either.

The troubles are there, they haven't been whitewashed, but Wonder still presents lighthearted community, or instances where peeps don't have to defend themselves, since they've found rewarding playful friendship.

Difference is a wonderful thing and adds so much spice to cultural life. Just think of a hot pot of chilli with the more ingredients the merrier.

Taking the time to consider what people are going through instead of bluntly embracing base instinct, can lead to enlivening gatherings overflowing with laidback novelty (post-COVID).

There's so much of an emphasis on power and control these days that it's easy to forget some people just want to talk, without enacting the "holier-than-thou", or resorting to blunt fatalism.

Just because someone has more money it doesn't mean that they're a jerk, just because someone's speech isn't prim and polished it doesn't mean they have nothing to say.

You may find people who comprehend subjects that don't lead to the acquisition of wealth, radiate creative synergies regenerating soulful stealth.

It seems like it'd be easier if youthful discourse permeated the working world, but Wonder demonstrates how difficult it is for youngsters themselves to generate chillaxed disclosure.

It's an excellent film promoting understanding that's neither too harsh nor sentimental.

Rich with compelling observation.

Cheeky poignant and studious kindness. 

Friday, April 26, 2019

Mad Dog Labine

Left to fend for herself after her family takes off for the bush, Lindsay Labine (Ève-Marie Martin) shyly chills with her closest friend.

Things are quite lax in their small Northern town, since most of the residents are in fact gone.

A certain carefree yet hesitant innocent composure qualifies Lindsay's investigations, as if she's upset yet sure and steady, and finds herself generally unsupervised.

Free to explore what she will.

The people who have stuck around forge an eccentric free form instinctually unorthodox eclective of sorts, sincerely expressing themselves beyond the cold master narrative.

Unrestrained movements and cheeky proclamations intermingle with articulate considerations, as if the particular is joyously asserting itself unobserved, and it's not just the adherents of discipline and punishment who claim to respect alternative lifestyles decompressing, they're gone too, in fact it's more like the people actually living alternative lifestyles are no longer weighed down by generic prescriptions, at all, as if gasoline's been replaced with bird song, or the poets gracefully control The Republic.

Temperate freelance watershed inkling.

Like everyone's self-employed.

Or things are way more raccoon than cat or dog.

Labine's town's suddenly like an unscripted curious jocose home on the range, with a library for city hall, its stories blooming with vibrant life.

Traditional outlets for order and authority no longer unconsciously coordinate, as random ideas seek novel justifications.

A peaceful sense of lighthearted relaxation begins to permeate concrete conditionals, as if experimentation can creatively sojourn, regardless of old school superstition.

Lindsay's somewhat shy but actively takes part.

It's quite sad when she's tricked in the beginning, but she's resilient, she bounces back without hesitation.

Look for the moment when she overcomes her shyness and joins in with the revelry around the campfire.

You'll see a beautiful, timid, elfin spirit, who has trouble fitting in, wondrously expressing herself.

The moment's rich with belonging.

Like electric jade.

Compositionally ground with hug power.

Cool film.

*The situation in Mad Dog Labine is quite different from that which may arise from a flood. In the case of a flood, if authorities do suggest you leave your home, it's probably in your best interests to do so, since they likely know what they're talking about. And floods can be very dangerous.