Bas Devos's Here brought back fond memories while also nurturing dreams for the future, Stefan's modest immigration experience humbly encouraging unorthodox travel.
Tuesday, February 11, 2025
Here
Tuesday, January 21, 2025
The Elephant Man
A gentle soul, curious and thoughtful, is habitually tormented by another, who obscenely profits from his misery and spends next to nothing on his care or comfort.
Tuesday, September 1, 2020
Wonder
A child who looks different anxiously prepares for the fifth grade, having been homeschooled up to this point by his mom (Julia Roberts), having made little contact with the outside world (Jacob Tremblay as Auggie), now ready to thoughtfully engage.
His mother and father (Owen Wilson) are more nervous than he is, as he courageously departs, sincerely worried about their son, whom they've diligently help to prepare.
His sister (Izabela Vidovic as Via) provides prudent counsel and lays down the skeletal score, a brief barebones adolescent treatise, on inherent enervating distress.
But he's a gamer, he doesn't back down, although he's faced with acerbic prejudice, he hangs in there and academically excels, making some chill real friends along the way.
Wonder isn't just focused on him though, the trials of several young people are explored, their struggles compassionately and intricately blended, as they deal with scholastic realities.
The result's a well-rounded take offering diverse perspectives on the challenges youth face, while trying to carve out an identity, and freely fit in at school.
Parents too, the shocks of child rearing, the difficulties of trying to let go, to be there whenever and wherever, without smothering the affable flow.
It's great to see such honest loving parents who abound with enriching guidance, who don't shy away from the hardboiled vortex, but don't dwell or fixate on it either.
The troubles are there, they haven't been whitewashed, but Wonder still presents lighthearted community, or instances where peeps don't have to defend themselves, since they've found rewarding playful friendship.
Difference is a wonderful thing and adds so much spice to cultural life. Just think of a hot pot of chilli with the more ingredients the merrier.
Taking the time to consider what people are going through instead of bluntly embracing base instinct, can lead to enlivening gatherings overflowing with laidback novelty (post-COVID).
There's so much of an emphasis on power and control these days that it's easy to forget some people just want to talk, without enacting the "holier-than-thou", or resorting to blunt fatalism.
Just because someone has more money it doesn't mean that they're a jerk, just because someone's speech isn't prim and polished it doesn't mean they have nothing to say.
You may find people who comprehend subjects that don't lead to the acquisition of wealth, radiate creative synergies regenerating soulful stealth.
It seems like it'd be easier if youthful discourse permeated the working world, but Wonder demonstrates how difficult it is for youngsters themselves to generate chillaxed disclosure.
It's an excellent film promoting understanding that's neither too harsh nor sentimental.
Rich with compelling observation.
Cheeky poignant and studious kindness.
Friday, April 26, 2019
Mad Dog Labine
Things are quite lax in their small Northern town, since most of the residents are in fact gone.
A certain carefree yet hesitant innocent composure qualifies Lindsay's investigations, as if she's upset yet sure and steady, and finds herself generally unsupervised.
Free to explore what she will.
The people who have stuck around forge an eccentric free form instinctually unorthodox eclective of sorts, sincerely expressing themselves beyond the cold master narrative.
Unrestrained movements and cheeky proclamations intermingle with articulate considerations, as if the particular is joyously asserting itself unobserved, and it's not just the adherents of discipline and punishment who claim to respect alternative lifestyles decompressing, they're gone too, in fact it's more like the people actually living alternative lifestyles are no longer weighed down by generic prescriptions, at all, as if gasoline's been replaced with bird song, or the poets gracefully control The Republic.
Temperate freelance watershed inkling.
Like everyone's self-employed.
Or things are way more raccoon than cat or dog.
Labine's town's suddenly like an unscripted curious jocose home on the range, with a library for city hall, its stories blooming with vibrant life.
Traditional outlets for order and authority no longer unconsciously coordinate, as random ideas seek novel justifications.
A peaceful sense of lighthearted relaxation begins to permeate concrete conditionals, as if experimentation can creatively sojourn, regardless of old school superstition.
Lindsay's somewhat shy but actively takes part.
It's quite sad when she's tricked in the beginning, but she's resilient, she bounces back without hesitation.
Look for the moment when she overcomes her shyness and joins in with the revelry around the campfire.
You'll see a beautiful, timid, elfin spirit, who has trouble fitting in, wondrously expressing herself.
The moment's rich with belonging.
Like electric jade.
Compositionally ground with hug power.
Cool film.
*The situation in Mad Dog Labine is quite different from that which may arise from a flood. In the case of a flood, if authorities do suggest you leave your home, it's probably in your best interests to do so, since they likely know what they're talking about. And floods can be very dangerous.