Thunder Force

The preponderance of superheroic heuristics imaginatively captivating multigenerational audiences, has perhaps left the less scholastically oriented behind in its cultivation of characteristic exception, not to critique the academically inclined, such ambitions are no doubt admirable and praiseworthy, and they'd just cause an uproar every day if there weren't brainy jobs out there awaiting them (love my jobs!), driving people crazy at Wendy's or the Gap, as they struggle within practical boundaries, but a democracy is not solely inhabited by studious ambitions alone, and hands-on tacticians deserve more representation in intergalactic narratives, like representatives from the workforce sitting on executive boards, in order to avoid a surfeit of theoretical impracticality (I am not indirectly critiquing the Liberal's most recent generous beneficial budget which I imagine they made in consultation with their grassroots). 

Captain America has played such a role well in many a Marvel film, his humble origins a sharp contrast to Thor or Tony Stark's, but he still lacks the contentious unconcern humorously invigorated by Thunder Force's Lydia Berman (Melissa McCarthy), who's nimble burger & fries lack of pretension leads to endearing syntheses of experimental know-how.

She's teamed up with a brilliant researcher whose parents were murdered by miscreants, the immodest destructive sociopaths who were mutated and given superpowers by cosmic radiation. 

Emily Stanton (Octavia Spencer) has devoted her life to stopping them by trying to find a way to give superpowers to anyone, through experimental research, childhood friend Lydia accidentally interrupting her experiment on the eve of their high school reunion, taking the transformative medication herself.

Once started the process can't be halted without ruining years of dedicated research, a lengthy arduous treatment program ensuing complete with intricate training exercises. 

Lydia is given super strength while Ms. Stanton uploads invisibility, the two eventually heading to the streets to fight crime, where they swiftly encounter the Crab (Jason Bateman). 

He works for the would be mayor who's currently running a duplicitous campaign (Bobby Cannavale), an authoritative miscreant himself who's promising to emphatically thwart them.

Melissa McCarthy brings raw uncompromised grit and tenacity to the superheroic domain, providing wild unscripted alternative impulse to prescribed elitist reckoning.

Like freelance writers doing their own thing or independent filmmakers authentically crafting, Lydia pursues justice with democratic intrigue while coming to terms with her unexpected powers.

There are a lot of funny moments and a memorable date night with McCarthy and Bateman, an extended scene that goes beyond so many neat and tidy encounters ("This is a trigger environment for me" 😂).

As for creating super soldiers I'll never forget Jacob's Ladder, or that episode of The X-Files, or pesky Khan or steroids in general.

Isn't eliminating poverty preferable to creating genetically enhanced warriors?

Doesn't a multidisciplinary sustainable economy also fight poverty and boredom?