A young prince must fight a demon who threatens the prosperity of his humble village (Yôji Matsuda as Ashitaka), his people forced to flee long ago after infuriating the emperor.
He successfully slays the intruder but touches its infected tentacles too, a curse then emerging within his arm which the village elders cannot cure.
Not willing to sit back while it spreads he boldly departs in search of medicine, making his way to a rowdy village engaged in the act of making iron.
He's welcomed for having rescued some of its menfolk from irate wolves, the village leader (Yûko Tanaka as Eboshi-gozen) eagerly entertaining and letting him get to know her people.
But as it dishearteningly turns out, their ironworks is destroying the local wilderness, where a resident forest god has lived forever, in quiet peace and regal seclusion.
The animals are loosely united and intent on fighting the destructive town, arguments erupting amongst them, at other times, cohesive calm.
A young maiden lives with the wolves and is just as fierce in her condemnation, known as Princess Mononoke (Yuriko Ishida), she denies fear and exhales resolve.
Prince Ashitaka soon finds he's in love with her as all hell emphatically breaks loose.
Eboshi-gozen wants the god's head to grant immortality.
But is unsure if the legend's true.
Princess Mononoke and Prince Ashitaka find comfort in their mutual adoring amicability, the ideal unification of masculine and feminine harmoniously embracing age old enlightened daring.
It's more difficult to figure out the role matronistically played by Eboshi-gozen within, for on the one hand she supplies freedom and community, on the other, environmental devastation.
Not only the naturalistic bedlam to be expected by efficient mining, but she also pursues the forest god itself, intent on despairing ancient resiliency.
She frees many from vile servitude and supplies honest work for her surrounding cast, while promoting the development of Mordor, it's a difficult contradiction to balance.
Environmentally friendly mining practices at peace with resident animals, certainly would have been less burdensome, and providing a heightened degree of friendly interdependency.
Love still innocently flourishes beyond problems associated with industrialization.
A narrative like none other.
Forest mystics, spellbound exhilaration.
*Note: Ghibli doesn't show up in spellcheck!
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