The ozone layer all but disappears and the sun's rays punish those still living, until the Highlander known as MacLeod (Christopher Lambert) constructs a massive shield to offer protection.
Years later he's robustly agéd and quietly withdrawn from the engaged life, immortality having faded away after he emerged victorious in instalment one.
He has the choice to peacefully pass or return in triumph to his home world, and since he's grown fond of his new home, he has no desire to solemnly depart.
But back on planet Zeist, the bitter general who once had him banished (Michael Ironside as Gen. Katana), fears his agile reemergence and sends his minions to ensure fatality.
Meanwhile, the necessity of the shield has been called into commercial question, since environmentalists believe the 'zone has regenerated but still lack evidence to prove their theory.
The entire planet is indeed a customer of the corporation who owns the shield, and if it was proven to be non-essential the most lucrative business ever would swiftly fade.
The minions arrive and quickly find MacLeod and waste no time waiting for the perfect moment, but he resoundingly responds in style thereby regaining his cherished youth.
Having met the leader of the environmentalists (Virginia Madsen as Louise) he must now ethically decide, if he's to investigate their audacious claims with the help of age old friends such as Ramírez (Sean Connery).
But soon Katana arrives in full-on monumental fury.
Dire reckless chaotic reckoning.
Bizarre changes impenitent brood.
There's still a lighthearted touch to the imposing abyss presented in Highlander II: The Quickening, as attempts to seem serious are undercut by mischievous mayhem and lithe longevity.
The return of Ramírez is cheerfully welcome even if the rationale is somewhat ludicrous, and calls into question much of the first film's action, without justifying MacLeod's amnesia.
I suppose the animate sequel strives to diversify the original's plot, but sometimes initial features shouldn't be reimagined or incongruently altered.
The comic touch and Connery's unconcern challenge this point of view with certainty, but not with enough striking substance to leave one feeling unconditionally moved.
The original Highlander's such a cool film I highly recommend it if you haven't seen it.
The Quickening offers further salient material.
Without the original's thought provoking plausibility.
*That's my last review from the deep pandemic.
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