The Glass Key examines dependability from a grizzled volatile perspective, honest integrity effortlessly emerging through the proliferation of kindred spirits.
Indeed, with praiseworthy pertinence it paradigmatically hails consistency, with foundations respectfully laid, long-lasting purpose integral commitment.
Mr. Madvig (Brian Donlevy) has reached inspired heights and from his summit makes stern decisions, which at times irritate other higher-ups who have no wish to entertain options.
Correspondingly, a well-heeled challenger (Joesph Calleia as Mr. Varna) proceeds to kidnap his most trusted man (Alan Ladd as Mr. Beaumont), and offer him a lucrative deal that doesn't demand much extra work.
But loyal Ed unconditionally refuses and retains his credibility, friendship and values, virtue, integrity, much more important to his sense of self.
He's ruthlessly punished for his denial yet eventually rewarded for remaining true, the kind of generous modest confidante you don't often see adamantly succeeding.
But people used to dream of a world wherein which safe communities would flourish and prosper.
Solid work their vital backbone.
As businesses excelled in sociosublimity.
It's too bad the economy remains mysterious and whatever happens produces lateral results, wouldn't it be nice if prosperous good times could last much longer for more and more people.
Is the enigma that utterly baffling that little can be done to create lasting solutions, which produce exceptional value through the vigorous application of industrious labour?
But don't idyllic dreams of ubiquitous prosperity lead to chaos when things go sour, and the joyful robust euphoria suddenly transforms into bitter discomfiture?
But don't others resiliently prosper no matter what the 5-year plan, having resigned themselves to modest mobility through the artful cultivation of resonant spirit?
Aren't others miserable throughout the mutations and can't ever clearly detect varying degrees, their general dismissal of every manifestation a blind dismal crude animate forfeiture?
These categories pervasively persist and still remain applicable this postmodern day.
Cool to view how often they materialize with rugged elegance and futile skepticism.
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