The Hudsucker Proxy

Difficult to say what leads to success in business, if you've never really read anything about it or worked in the industry, although sundry films and series suggest cut-throat dispositions are indeed paramount, is there something to be said for such conceit?, I have to admit, it's far beyond me.

In The Hudsucker Proxy the opposite rings true as a mild-mannered mailroom dreamer moves up, to lead a million dollar company no less, with only a peculiar idea to back him (Tim Robbins as Norville Barnes). 

The company was doing well at the affluent time of its founder's tragic parting, but due to a willful irregularity, comes up for sale at the start of the next year.

Its shares are to be made public thereby preventing the Board of Directors from cashing in, unless they can diabolically decrease their value and then snatch them up before anyone else does.

Thus they hire Mr. Norville with the malevolent hope that he begets ruin, he does have unorthodox methods but his initial idea proves rather lucrative.

The Hula-Hoop in fact captures the fascination of an adoring public, and leads to acrimonious accolades from the foiled and irate distraught conspirators.

As time passes and opinions fluctuate will he be able to stay afloat?

Tumultuous tides trepidatious tenacity.

Inherent preposterous production.

What to do if harnessing miracles through spontaneous agile eclectic blunder, through the art of tantamount translation elucidating chill commercial thought?

It seems clear in Norville's case since his idea is direct and practical, but I imagine things could be much more abstruse if you require televisual or filmic structure.

It does seem somewhat odd that so much wealth can be gargantuanly generated, from such a simple idea even if adage and aphorism extol them.

You see the argument played out every day in democratic political venues across the land, study and learning consistently duelling with worldly knowledge upon the stage.

So many people work within the world that their crafty leadership no doubt feels, as if they deserve a certain percentage of the inspired decision making financed by government.

Their intellectual counterparts at times find it odd having to share the coveted spotlight, as they diversify through complication inevitably leading to brilliant foresight.

But democracy guarantees their privilege just as it lauds equal upstanding opportunity, who's to say who should hold the reins?, I myself prefer books and learning. 

Books and learning with practical knowledge gregariously bulwarked through realistic expenditure.

Sounds kind of like one Joe Biden.

Who seems to genuinely care. 

Juyuso seubgyuksageun (Attack the Gas Station!)

A group of young adults, who have failed to professionally assert themselves, randomly decide to attack a local gas station, again, in Sang-Jin Kim's Juyuso seubgyuksageun (Attack the Gas Station!), their boredom invigoratingly eclipsed by rash hypertense pretentions, inspirations from which they reclaim the dignity that their culture's strict obsession with obedience has denied them, artists and athletes in/variably adjudicating calamitous caprice, with malevolent will, and assiduous extension.

But through their delinquent acts, through the ways in which they audaciously challenge their neighbourhood's modus operandi, their divergence necessitating that unanticipated rival factions gather, investigate, emerge, the established order riled, jurisprudence gingerly jabberwocked, a serendipitous state of affairs chaotically presents itself, wherein which everyone eclectically entertains novel nubile notions, energetically exceeding the bumptious bottom line, collectively assembled, to irascibly trench and tether.

Extreme masculinity deftly delineating the absurd, Juyuso seubgyuksageun satirizes sociopaths to exorcize easy living.

Note how the no-goodniks must pretend to be constructive citizens in order to eventually acquire the loot they're after.

Comedically crafted psychotically shafted supreme bizarro excess, like Walter Hill's The Warriors sponsored by Red Bull, like paddleboarding down the St. Lawrence, a culture's admiration for fighting shocked but surely syndicated, Juyuso's childlike unconcerned courageous illuminating lunacy still metaphorically cultivates the entrepreneurial path, with cold considerate recourse to hypocrisy notwithstanding, levels and layers and legitimacies, assuming roles to expedite karma.