Showing posts with label Tragedies. Show all posts
Showing posts with label Tragedies. Show all posts

Friday, September 15, 2023

Blackberry

Don't really know what to make of this film.

I know it was awesome when blackberries were huge and a Canadian company was performing exceptionally well internationally. I know we excel with minerals and potash and maple syrup and wheat, but a huge tech sensation, that was something new for me (more so than the Canadarm). 

I imagine there are thousands of new innovations being made in Canada every year by crafty individuals, blackberry just generated more media attention, and took on companies like Apple.

Could you have had the iPhone without Research in Motion?

Probably. I imagine someone would have invented something similar around the same time regardless, but trying to make something even more impressive than the Blackberry may have driven dynamic creative iPhone progenitors.

The film closely follows the paths of RIM's ambitious CEOs, Mike Lazaridis (Jay Baruchel) who spearheaded the design, and Jim Balsillie (Glenn Howerton) who was able to market it.

As their prominence grows they both become consumed by power, Lazaridis losing his relatable cool (and cancelling Movie Night!), Mr. Balsillie transforming into a megalomaniac. 

The co-founder who questioned Balsillie's methods gets away with a lucrative sum (Matt Johnson [who also directed] as Doug), and he's right, when you're working insane hours it's things like Taco Tuesday or Movie Night that make the job worthwhile. I don't know how many books and articles have to be written about the subject, it's pizza and jazz that make jobs fun.

And they make you want to work harder, make me want to work harder anyways, it's like working in Montréal, you work super hard during the day to build up the economy, and then prosper after hours with the amazing night life.

I liked how Blackberry the film suggests that sending RIM's manufacturing jobs to China ruined the company. I don't know if that's just something that made the truth based story more coherent, but the more jobs we keep in Canada and Québec the better.

I've heard about companies wanting to set up shop in Canada and Québec precisely because our population's so educated. With mass education you create a bright people that can handle complex tasks and intricate interactions.

Were Balsillie and Lazaridis that brutal, did all power corrupt, perhaps, who am I to say?, the pressures they were under as presented in the film were extraordinary, but that's no excuse for alienating and abandoning your workforce.

I don't like how the film seems to be severely critiquing the company and poking fun about how they're not around anymore, however (I love the CBC, but blackberries didn't have government funding).

I've heard it's 10 times harder to live the American dream in Canada.

For a short time period, RIM made it happen.

Wish Blackberry was still around. Those were cool times.

The more jobs kept in Canada and Québec the better!  

*Heard they had AC/DC at their Christmas party one year. I don't know if that's true. But imagine that. AC/DC at a private party in Kitchener/Waterloo. I wouldn't have believed that could happen in the 1980s. 

Sunday, February 13, 2011

Talk to Her (Hable con ella)

Love is a strange emotion, awakening oceanic depths of creativity, thought, and malevolence, to be deconstructed, refurnished, and psycho-analyzed, as maelstroms, typhoons, and sunsets qualify particular epochs and re-materialize evocative conjectures.

Pedro Almodóvar's Talk to Her (Hable con ella) examines love's destructively revitalizing spirit by introducing two men both in love with women in comas. Benigno Martín (Javier Cámara) loves Alicia (Leonor Watling), a dancer whose been in his care for 4 years. He talks to her constantly and treats her as if she's cognizant in the hopes of one day awakening her from her slumber. Marco Zuluaga (Darío Grandinetti) loves Lydia González (Rosario Flores), a volatile matador whose managed to successfully compete in bull fighting's chauvinistic domain. After having been gorged by a bull, little hope is predicted for her survival. Benigno and Marco strike up a related friendship and contrast one another productively. While Benigno possesses the fantastic self-taught grit and determination of a confident yet fragile artistic tragedy, Marco is a journalist and thoroughly educated in the 'realistic traditions of rationality.' Benigno's passionate and devoted approach has a resounding affect on the broken Marco, whose objectivity is eventually remodelled by the clearcut desires of his sensitivities.

One of the most affective investigations of friendship I've seen, Talk to Her presents a subjective ideal tempered by practice whose theoretical forecasts are realistically detonated. In the aftermath a friend awaits, patiently supporting his fallen compatriot, through thick and thin.