Thursday, November 27, 2008

Blade Runner

Learned an important lesson from Blade Runner this evening. After Rick Deckard is almost killed by Leon, his boss Bryant arrives to jovially inform him that he looks like hell. At which point, I realized that when someone has been through hell, it's important not to pamper them, if you happen to be involved in a working relationship with them. What's more important, is belittling and ridiculing them, so they won't start thinking that perhaps they should be doing something else for a living. Belittling and ridiculing them reminds them how shitty things are and keeps them focused upon that particular version of how things are; pampering them tries to ease the pain, the pain which such heroes need in order to successfully perform their monumental tasks, and, without which, might make them think, hey this no-pain situation is nice, I'd like it to continue: wrong, hero, it can't continue, get used to the pain, the abuse, it's coming and it ain't lettin' up for no god-damn shits and giggles. Plus, it gives you the chance to tell your boss to go to hell, which is what working's all about.

Blade Runner really is an exceptional film. The mood, the pacing, the ambience, the monosyllabic dialogue, the phenomenal standout performances from the supporting characters, the sets, the attention to detail, the gloom, the hard-boiled humanity, the realism, and the poetic lines poignantly delivered by Roy Batty (Rutger Hauer), all contribute to the development of a cohesive aesthetic that never grows old. Like the themes of identity, birth, parenthood, labour, regeneration, and being that radiate throughout. All those moments will be lost in time like tears in the rain; it's a pity she won't live, but then again, who does?

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