Thursday, November 27, 2008

Sicko

Michael Moore's new film Sicko presents a critical examination of American Health Care. The style Moore employs is similar to that found in his other films, simultaneously tragic and comedic. If you haven't seen the film the following contains spoilers regarding its ending.

I for one am in complete agreement with Moore's message. While I haven't researched the subject vigorously, and know that universal health care systems are expensive, these expenses maximize a population’s health without supplying it with any significantly increased financial burdens. The picture Moore paints of the state of the American Health Care system is grim to say the least; grim isn't really the right word to be using here, but it seems as if American HMO's are much more concerned with maximizing profits than taking care of the sick. Since I've grown up with universal health care, trying to imagine what it’s like living in a country where access to medical care is a burden upon those responsible for its delivery is difficult, and witnessing the stories Moore showcases within is frankly revolting, especially since America is such a diverse, wealthy country.

But points regarding health care aside, the rest of this piece is about Michael Moore the filmmaker. In the end of Sicko, Moore makes a monumental move that instantly reminded me of Werner Herzog's commitment within Fitzcarraldo, Moore's move resonating with inspired political audacity, Herzog's with ideal artistic integrity. We don't know how they arrive there, but during his research Moore discovers that the prisoners at Guantanamo Bay are receiving first rate health care free of charge, and decides to travel there with several sick Americans, some of them rescue workers from ground zero, 9/11, who have no health insurance. After they are denied access to Guantanamo, Moore decides to seek assistance within Cuba where he is greeted warmly (apparently prescription drugs that cost 120 dollars in the States can be purchased in Cuba for 3.2 pesos). Moore's examination of the Cuban Health Care System and the ways in which he gallantly includes them within his film (at great risk to his own personal freedom back home I'm sure) is an act worthy of sincere applause. What balls!

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